heading the kinta series

 
It covers the period from the late 1950s to the mid 1970s. He employed the Post-Impressionistic and Expressionistic techniques in oil, water colour and Chinese ink inspired by masters such as Cheong Soo Pieng, Ma Baishui, Abdullah Ariff and Yong Mun Seng on scenes of villages, mountains and tin-mines in Perak where he spent his childhood and boyhood days.
近打系列是 1950 年代至 1970 年代期间创作的。锺金钩这期间的水彩和油画是以后期印象派及表现派的手法来创作的,并采用水墨和水彩的混合技法,在宣纸上描绘近打风光,独具个人特有风格。尤其是「美丽河边」这一系列作品,技法独特,彩色浑然,把河边效野的风土人情表达得淋漓尽致。创作的灵感,多来自近打区的山川,村落,渔乡和钖矿矿场,并受到钟泗槟,马白水,Abdullah Arif 及杨曼生等的影响。
 
Beautiful River Side 4 1964 KIN02   Beautiful River Side 6 1964
Beautiful River Side 4 (1964)   Beautiful River Side 6 (1964)
Ink & Water Colour on Rice Paper  24cm x 35cm   Ink & Water Colour on Rice Paper  28cm x 56cm
             
             
Beautiful River Side 8 1964   Beautiful River Side 11 1965 KIN033
Beautiful River Side 8 (1964)   Beautiful River Side 11 (1964)
Ink & Water Colour on Rice Paper  36cm x 55cm   Ink & Water Colour on Rice Paper  30cm x 60cm
             
             
Serenity 2 1965   Taiping Lake Mood 1978 WCO002
Serenity 2 (1965)   Taiping Lake Mood (1978)
Ink & Water Colour on Rice Paper  29cm x 55cm   Water Colour  37cm x 54cm
             
             

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dr choongkamkow
Dr. Choong Kam Kow is a well known
senior contemporary artist,
a leading art & design educationist and
an independent curator in Malaysia

FEDERATION OF ASIAN ARTISTS
MALAYSIA COMMITTE CHAIRMAN
NATIONAL TAIWAN NORMAL UNIV. ALUMNI
ASSOC. SELANGOR VICE PRESIDENT
 
HON. DOCTOR OF ARTS (RGU. SCOTLAND, UK)
MFA (PRATT INST. USA) BFA (N.T.N.U. TAIWAN)
FULBRIGHT-ACLS RESEARCH FELLOW